Time

Spring broke late and none too soon for Old Chuck. Winter, always hard, almost killed him. He’d lie sighing by the fire, trying to warm those old bones that had carried him over field and furrow, always by my side.

When morning slanted through the shutters he came and laid his grizzled muzzle in my lap in that familiar way.

“Sure thing, old boy.”

I got up and opened the front door. He tottered out on stiff legs, eyes milky in the sunlight as he sniffed the fresh new air. He did his business slowly, climbed onto the porch and lay still.

 

Friday Fictioneers

I Am Not A Ghost

He is like the landscape, ancient, fissured, desiccated. He is the last one left who saw it with his own eyes.

His voice scrapes like wind through dry branches as he tells the story he repeated all his life.

“When the Turks came, all of us ran to the mountain. We rolled stones down the hill onto them while the smoke from our burning houses followed us like a curse. I was small and hid in the rocks. They made my mother and sisters kneel as they cut off the men’s heads.”

His brown eyes cloud and he does not tell the rest.

Instead he speaks of the Capital City of Ani and its thousand churches, the silk road wealth that flowed like a river.

“My grandfather’s fig trees were ten meters high, each fig as large as your hand. Oh, how I would love to taste one again.”

What Pegman Saw: Armenia

 

In 1915, the world descended into war. Ottoman leaders decided to resolve their “Armenian problem” through extermination and deportation. Soldiers and local Kurdish militias shot Armenian men. There were mass rapes of women. Armenian villages and city neighborhoods were looted, appropriated. The dead clogged the rivers and wells. 

By the end of 1915, the Armenian population in the Ottoman Empire fell from about two million to fewer than 500,000. Most historians consider this the to be the modern world’s first genocide.

Ani was the medieval capital of a powerful, ethnically Armenian kingdom centered in eastern Anatolia, the sprawling Asiatic peninsula that today makes up most of Turkey. A rich metropolis, its bazaars overflowed with furs, with spices, with precious metals.

Today it is a scattering of shattered cathedrals and rubble atop a desolate plateau. The Turkish government has erected no markers explaining what happened there, or why.

Spontaneous Knotting of an Agitated String

A measure of knot complexity
is the number of minimum
crossings that must occur
when a knot is viewed
as a two-dimensional
projection

According to calculation
(yours, or anyone’s)

there are more tangled states than untangled
states. Thousands at least, when you shove
your headphones into your pocket

ready at last to listen

It took nothing for your cord
which is just another string
to achieve a tangled state

though you do not know it yet.
Entropy unnoticed

until, five seconds later

A string can be knotted
in many possible ways,
and a primary concern
of knot theory is to formally distinguish
and classify
all possible knots.

Oh how you swore, pulling
as you picked the twisted wires

with your fingertips
from the pocket
of your too-tight pants

designed for a person half your age

you act like
it’s a personal affront
this tangled inconvenience

how can something so simple
so quickly turn

into such a fucking mess

96% of all knots formed as known prime knots
having minimum crossing numbers
ranging from 3 to 11.
The prevalence of prime knots
is rather surprising,
because they are not
the only possible type of knot.

You succeed, finally
cram your fingers

deep in your ears

the tiny speakers
full of all that music
the soundtrack only you hear

I watch you leave
watch the floor

where your shadow was

I know you absolutely
are right or wrong.

Everything is personal

or nothing is.

 

The Daily Post: Twisted

Defining Moment

The little boy is inconsolable, his face twisted and red and sweaty, hot tears staining his shirt.

He’s perhaps three and has just learned the awful truth.

When the other children get taken to see the Disney movie at the Rialto, he will be left behind.

The earth has crumbled away beneath his feet.

Oh, how he screams.  He is all alone. Nobody cares.

He crawls wailing beneath the huge dining table, wraps his arms around the center post while he watches their legs getting ready to leave, hears them all talking about him in concerned tones.

 

Friday Fictioneers

Dance Fools Dance

Arnaldo, grasping at everything, gaining nothing. Random
as
a
moth,

and every bit as compelled.

The wicked flee
where none
pursue.

(perhaps this

badness was always within him, a cancerous rot
awaiting only a few drops of rain
to bring it forth.

A few drops of blood.)

Below her window he sang dulcet sonnets
in a language she could not speak.

But hast done evil above all that were before thee:
for thou hast gone and made thee other gods, and molten images,
to provoke me to anger,
and hast cast me

behind thy back:

The crones perch like songbirds in their wire chairs as he walks by.
Knowing smiles that lance
his soul
like daggers.

Every sin that a man
doeth is without
the body
but he that committeth fornication
sinneth against his own body.

It was in the morning she was first missed.
All her work

left undone.

 

What Pegman Saw

Keeping Him On

“Why do you keep him on, Mother? The man’s the merest sot.”

“Now now, Katharine. Monsieur Jaques has never been drunk in my presence.”

“He’s never been sober! Look at him out there. See? He’s looking for the shears he just put in his pocket.”

“He has been with the house since I was a girl, Katharine. He knows this garden better than anyone else ever could. And look at the roses.”

“I think that has more to do with the soil than anything. You’re not doing the old man any favors.”

“Fortunately it’s not your decision. Not yet, anyway.”

 

Friday Fictioneers

The Changeling

Blydig Gryyfth had black hair and eyes dark as rotting plums.  As he grew older, his limbs bunched with muscle though he did not grow taller. He hated the forest, hated the trees and the sky itself.  His chief amusement was staring, which could do forever. He never smiled, never laughed. In fact, he barely spoke at all.

His parents were not like him. They were fair and merry, tall and well-made. Try as they might, they could not love him.

They began to suspect he was a Bendith y Mamau, their own golden son stolen from the cradle by the Tylwyth Teg.  They sometimes stayed wakeful far into the night, puzzling in whispers over what they should do.

A passing traveler confirmed their worst suspicions, for he had seen such changelings before.

There was but one thing to do. They must take him to the priests at Pentre Ifan.

 

What Pegman Saw

 

Pentre Ifan is an ancient dolman of seven giant stones placed on the site around 3500 BC by the ancient people of Wales. At one time all the stones were standing, but only a handful remain upright today.

The standing stones have been the object of archaeological intrigue for hundreds of years.  Archaeologists believe the site may have been built during two separate time periods with the ancient burial chambers being installed first.

They may have been a ritual purpose to the site such as Druidical sacrifice, but this is mere speculation since few artifacts have been discovered at the site. 

The World Is Made of Money

Know your history:

 

Thomas Jefferson

invented the modern plow

along with the United States

 

A social man,

a friend to Freedom.

He kept his slaves

 

secreted behind doors

designed, by him, to pivot

with barely a whisper:

 

empty walnut shelves

suddenly filled with wine,

sweetmeats, cheeses

 

as though by magic. The brown arms,

hands and minds enabling

this chicanery

 

walking from slave quarters

to kitchens in head-high trenches

Jefferson himself designed to hide his niggers

 

And as Enoch in the Bible

He lay with his slaves

adding slightly to the list of begats

 

Public opinion never wavered

in the face of Jeffersonian genius

then and now

 

the world is made of money

 

The Daily Post

Life After Uber

I heard Jazad come in around 4:30, a full hour before usual. I got out of bed and found him sitting in our tiny kitchen, head in his hands. In the stark glare of the hanging lamp his hair was almost pure white.

“I can’t do it, Fatima.” His voice was almost a whisper. “Three of us share the medallion. For us to make rent I need to clear at least a hundred a night. Guess what I make tonight? Thirty-five dollars for ten hours of driving my cab.”

“Would you like coffee?”

“It won’t help.”

“It can’t hurt.”

He smiled.

 

Friday Fictioneers

Martyrdom

Stephens set down his cup and squinted at his pocket watch. He sighed and went out of the tent. Insects droned around his face and neck despite his upturned collar. The jungle birds had begun their dusk cacophony. He walked across the new clearing toward the massive pyramid.

There sat Catherwood at his easel, madly sketching. A withered Indian held out an umbrella to protect the artist from a sun no longer in the sky.

“I say, Catherwood!” called Stephens. “That’s enough for one day, what? Be a good chap and come in and have a gin with me.”

Catherwood sketched on, seeming not to have heard. Ever since they’d proved it was indeed native Mayans who constructed these ruins, Catherwood been fanatical about painting them despite the malarial fever that wracked his body.

 

What Pegman Saw: Tulum

When the book Incidents of Travel in Yucatan is mentioned, the author John L. Stephens is usually recalled, but the name of the artist Frederick Catherwood is frequently overlooked. Aldous Huxley wrote:

From dawn ’til dusk, day after day and for weeks at a stretch, this martyr to archaeology had exposed himself to all the winged and crawling malice of tropical nature. Ticks, ants, wasps, flies, mosquitoes: they had all bitten him, stung him, drunk his blood, infected him with malaria. But the man had grimly gone on drawing. Itching, swollen, burning or shuddering with fever, he had filled whole portfolios with the measured plans and elevations of temples, with studies of Mayan sculpture so scientifically accurate that modern experts on pre-Columbian history can spell out a date of a stele from Catherwood’s representation of its, to him, incomprehensible hieroglyphics.